Lost, The End: Series Finale (Spoilerrific!)

On May 24, 2010, in Featured, Reviews, by Marci Sischo

I’m happy with it. Why? I said I wanted only one thing out of this show: “Kate. Dead. Deliver me that, and I won’t have a bad thing to say about this series.”

Although … I kind of lied about that “won’t have a bad thing to say” bit. Yeah, sorry.

My biggest gripe with this show is sloppy writing. You can’t spend six years introducing major mysteries and enigmas, and then get lazy at the end of the run and say, “Eh, screw it. We’re not dealing with it.” Nor can you turn around and start introducing MacGuffins and deus ex machinas in the last four episodes to answer the spare handful of loose ends you felt like tying up. That’s sloppy, and lazy.

I’d like to say that some of this isn’t the writers’ faults. For example, there’s Walt. The writers went ahead and built a major plot around this kid and his “special powers” or whatever it was supposed to be, and then Malcom David Kelley had the audacity to go and get his puberty on between seasons. So, while in Lost time it had only been, like, a second between the end of one season and the beginning of the next, in real time it had been long enough that the kid sprouted several inches and looked totally different. So, the writers had to cut him and his plotline loose. That happens, and I understand that. But

Why then bring “older Walt” back for a cameo in, what, season three? John Locke sees him while he’s lying in the mass Dharma grave. What on Earth was the point of doing that? It accomplished nothing, went nowhere. For that matter, did the writers not realize that kids Malcom’s age do the whole “puberty” thing on a fairly predictable basis? Shouldn’t that have been accounted for while dreaming up plots for the series? Failing that, could they not have come up with some sort of decent ending for the Walt plot besides tiptoeing quietly away from it and hoping their viewers wouldn’t notice?

Or how about the Island’s fertility issues? I know I’m not the only one harping about that, but that was a really big part of the first three seasons. That was the reason, apparently, why the Others commenced to screwing with the Survivors in the first place. Or at least, that’s the way it looked to me. That’s why they stole Claire, and sent Juliet to the survivor camp, so she could keep an eye on Sun, and so on, and so forth. Hell, that’s why they went and got Juliet in the first place. Those fertility issues were built up to be a big damn deal. And then, apparently, the writers had a fit of the ADD and said “Hell with it, we’re bored, let’s do something else.”

Along with the fertility issues, what about that vaccine the Others had Claire and Desmond taking? What was all that about? And what the hell was up with the “Sickness?” They never did explain what was going on there. They were just all like, “Yeah, so Claire and Sayid are crazy now. Why? Um … look! Polar bears!” And the writers sprint off while we’re not looking.

Meanwhile, what was the point of the whole time travel plotline, again? We were led to believe that the point of that was to drop that bomb, which then created the so-called “flash-sideways” alternate reality. Juliet died to help create that “alternate reality.” Then, at the end of the show, we discover that our happy-ending alternate reality turned out to be the afterlife’s waiting room. Which made Juliet’s death utterly meaningless, and the entirety of the time traveling plot totally fucking pointless. Did the writers actually go to all that narrative effort, and waste a whole season, just to set up a pathetic “gotcha”-style ending? “Bet ya didn’t see that coming!”

You’re right, I didn’t. I was totally expecting an ending that made some goddamn sense.

And speaking of the ending … so, was Jacob lying about that whole “trying to redeem the Man in Black” speech he gave Richard in “Ab Aeterno?” Because nothing we saw Jacob do, or encourage anyone else to do, seemed to have anything to do with any sort of redemption, or changing of his brother’s mind, opinions, ways, etc.

On the topic of Jacob and his nameless brother, there, what was up with booting the brother into the glowing Tunnel O’ Love and turning him into the smoke monster, anyway? If that’s what happened, and, according to the show, it is, then how did that action result in the Man in Black managing to leave a corpse behind for Jacob to set up with their “mother” in that cave? If Jacob’s brother actually was Smoky the Monster, then Jacob shouldn’t have been able to kill him.

(The Internet theory of the moment, by the way, is that Jacob’s brother never was Smoky. Smoky was trapped in the glowy tunnel, and released when Jacob pitched his brother down there. The nameless brother came out of the tunnel in the same spot Jack later did, and then wandered off, killed “mother,” and got killed himself, leaving the smoke monster to roam free. That seems a hell of a lot more likely than Jacob’s brother and Smoky being one and the same, to me. Another good Internet theory is that Jacob and the Man in Black’s adoptive mother was a smoke monster, as well. That’s how she killed that village, and filled in the donkey wheel pit all by herself. Maybe she wasn’t actually the prior protector. Maybe the prior protector of the Island went down that tunnel, thus freeing the smoke monster, while dying down there herself. That explains the mystery skeleton we saw in the tunnel. Smoky comes out, takes on Mother’s shape and memories, and gets on with the kid raising. later on, when Jacob pitches his brother down there, Mother becomes mortal again, like Flocke did after Desmond went down, and so on, and so forth. I think this idea has some merit. Anyway …)

And about that tunnel … was that supposed to be the “magic box” Ben Linus was known to prattle on about occasionally? And if so, how did he know to go prattling on about it? Did Smoky spill the beans about it? Oh, and by the way — how in the hell did Locke’s dad ever get on the island? Did the Tunnel O’ Love cough him up? Did the Others go get him? What?

None of this damn show made any damn sense at all. It was sloppy writing, lazy writing. There were plot holes the size of Mac trucks. I kind of think the writers have just been fucking with us for the last six years. But seriously, I do kind of think that the writers couldn’t decide if they were telling us a sci-fi story or a supernatural story for those first few seasons.

All that having been said, I enjoyed the two-and-a-half hour grand finale well enough, for what it was. The acting was good, the dialogue was good, there was action, and adventure, and the reunions in the “flash-sideways” reality were quite satisfying, particularly Sawyer and Juliet’s. That ham-handed ending with Christian Shepard was pretty sucktacular, but all told, I wasn’t expecting much better than that. Over all, Lost was a tolerable show with occasionally entertaining and interesting moments, more notable for the community it helped build and inspire than for the show itself.

(Image from here.)

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Lost

On May 19, 2010, in Controversies, Reviews, by Marci Sischo

Migawd, people, we’re nearly to the end of this miserable mess of a show, and after six long, confusing, nonsensical seasons, I want only one thing out of this show: Kate. Dead. Deliver me that, and I won’t have a bad thing to say about this series.

I’m sorry. I hate that woman more every time I see her. I hate her with the fire of a thousand suns. I’ve hated her from the split second she started pulling that two-timing couldn’t-pick-a-man BS back in, like, season one, with Sawyer and Jack.

So, spoilers. Of course, I was two episodes back due to Mike being here on vacation, so this probably isn’t all that spoilery.

Part one, “Across the Sea,” the episode with Baby Man in Black and Baby Jacob, and the glowing yellow tunnel of mystical bullshit. No, really. Glowing yellow tunnel. Heart of the island. Needs protecting. Gawd, that’s lame. I can’t believe I sat through six seasons to get all this metaphysical crap. Do you have any idea how happy I would have been to get a sci-fi ending to this story? Man, I was so rooting for nanobots. But no, happy shiny Tunnel O’ Love, instead.

Vozzek69 of DarkUFO has a kick-ass recap of this episode. He also has some really interesting theories about the Smoke Monster based on this episode. Vozzek60 has been doing killer recaps for quite awhile. I really enjoy his insights.

Part two, “What They Died For,” was quite a bit better, by comparison, because we got to see Ben Linus getting up to his old conniving self. And if you think Linus isn’t gaming Smokie six ways to Sunday, you haven’t been paying attention the last few seasons. That man is never without a plan. Actually, I’m reasonably sure Linus is the kind of guy who actually has about fifteen plans, covering any eventuality, and he just sits back around step three of each plan and waits to see which way the situation breaks.

If I were on the island, I would so be on Ben’s side.

This episode was also fantastic for Jacob’s line to Kate, “It’s just a chalk line on a cave wall. The job’s yours if you want it, Kate.”

Thank-you. I was reasonably sure those cross-outs were a red herring.

And, finally, about Smokie … so … the MiB got shoved into the Tunnel O’ Love. And turned into the Smoke Monster? But still left behind a corpse? But … what about all the other dead folks on the island? Christian Shepard? Alex? Claudia? Isabella? WTF, mate. If Vozzek’s right (and I’m going to assume you read his recap, by the way), and the Smoke Monster was Jacob and MiB’s mother, then was Claudia actually Mom/Smokie as another dead person? You know, when Claudia appeared to Baby MiB and led him off and so forth. Or was Claudia just a ghost? Or, wait … maybe it was …

Oh, for fucksake. Seriously, Lost, you better get us an answer as to what’s up with all the dead folks and visions, or I’m going to be really irate.

And what’s with young Jacob still running around while dead Jacob’s ghost is out and about? I mean, for real, W. T. F.

This show makes no damn sense whatsoever. The series finale on Sunday had better be pure refined brilliant, is all I’m saying.

PS: I also want to know what in the hell ever happened to Vincent.

(Image from here.)

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The last season of Lost premiered Tuesday, and I was there with bells on to watch it. I’m late to the game on Lost, so I’ve been playing catch-up this last month, watching seasons 1 through 5 in one long marathon burst. I think the show actually suffers some in my opinion for this, because watched in large chunks, it becomes a very tedious little show.

With the exception of a few, the characters are largely unlikeable, which makes it difficult for me to have any real sympathy for them. The main characters are whiny, stupid, and ineffectual. They don’t stop to think, consider the consequences, plan anything, ponder over the information they already have in their possession, or utilize their resources — in short, they don’t do anything but react to events. They rarely, if ever, set their own events into motion, and when they do, it’s because of an overly-emotional outburst of rage and doesn’t result in anything but more trouble for them.

Another problem I have with these characters is that, again with the exception of a few, these people balls-out refuse to learn from their mistakes and exhibit some character growth. Right up to season five, Jack never once learned that emotional outbursts don’t solve problems. In the first half of season five, he was much calmer, but only because he’d completely given up and gone all fatalist and self-hating on us. Then, once back on the island, he “discovers his purpose”, IE, decides to blow up the damn island with a hydrogen bomb, and turns back into the loud-mouthed, self-righteous, overly-emotional prick he’d been the whole time.

I could complain about these characters for hours, y’all, but on with the reviewing, already. Actually, less blow-by-blow reviewing of the episodes, since I’m going to assume anyone who’s reading this has already seen them, and more a discussion of the maelstrom of new theories these episodes have provoked.

So, LA X 1 picks up with the bomb going off in a bright white flash, and suddenly, we appear to be dealing with alternate realities. Down one leg of the Trousers of Time (thank-you, Terry Pratchett), we have the Losties on the island, apparently back in their proper timezone, dealing with the consequences of their bombsplodey. Down the other leg, we have the Losties back on what appears to be Flight 815, only the plane doesn’t crash, and our heroes land safely in LAX.

Over at the Lostpedia, there are two competing theories over what we’re seeing in the show. One faction holds that the LAX scenes are an alternate universe created by the bombsplodey. The other claims that the LAX scenes are actually an epilogue to the show. What I don’t understand is why these seem to be mutually exclusive theories. I’d posit that the bombsplodey created the alternate timeline, scenes of which are indeed an epilogue of sorts, and the season will deal with how the Losties achieve that epilogue. (Just, please, writers of Lost, can we avoid the whole “merging of alternate realities” cliche? It’s a bit worn out.)

The premiere was also kind enough to answer a few questions. The impostor Locke, revealed last season to be the mysterious Man in Black, does in fact seem to be the smoke monster. I’d suspected as much, but it does beggar the question of what, exactly, Jacob might be. Some folks over at Lostpedia claim to have noticed a white smoke in several scenes, and are wondering if Jacob, too, has an alternate, smokey form. Or possibly a “light” form, as a lot is being made of real Locke’s description of meeting the monster and it being made of white light.

Another thing I noticed is that, apparently, the Swan was never built. When our Losties were in 1977, the Dharma Initiative were in the process of building the Swan. Then the Losties show up and blow up the hydrogen bomb. There’s a flash of white light, and suddenly, the Losties are — presumably — in the future. (It seems likely they’re in the future, as out on the beach by the foot of the Statue, fake Locke and the beach crowd, whom we know are residing in 2007ish, see the flare that was set off at the Temple, where our heroes are hanging out after taking Sayid there.) Our heroes come to at the crater site, which is very clearly not the same crater Desmond caused when he set off the failsafe. That crater was a deep hole with steep, rimless sides that appeared to have melted and solidified. This crater has a sizable rim, and a deep, drill-style hole still filled with all that metal/drill wreckage from when the pocket of magnetism was sucking everything down the drill hole. So, obviously, the Swan was never built. Also, the site was apparently never cleaned up after, either. Makes one wonder what exactly happened in the aftermath of the magnetism/bombsplodey incident. The island was in the process of being evacuated, so maybe the remaining Dharma Initiative folks died in the blast? Curiouser and curiouser. If I were a Lostie, I’d be taking a moment to quiz the Others at the Temple about the last thirty years of history. It might prove enlightening.

I doubt the Losties will think to do that, though. If they were bright enough to put that much thought into something, they wouldn’t be in the fix they were in. Just sayin’.

So, impostor Locke is Jacob’s mysterious island buddy is the smoke monster. We have yet to determine who the good guys and bad guys are in this equation. We have no real proof yet that Jacob is a good guy. (Although, I rather suspect it’ll go that way. No proof, just a hunch.) It also seems likely that impostor Lock/beach buddy/smoke monster has also been appearing as Christian, and I don’t give a damn what color shoes everyone’s been wearing. (It’s JJ Abrams, people. The man lives on Surprise Buses of Doom and red herrings.) In fact, I’d be willing to bet that every appearance of a ghost/vision/horse/Walt/etc, with the possible exception of Claire, who may be just a prisoner for some reason and not dead, has been the smoke monster. There’s no real proof that Jacob has been impersonating anyone. I also find it very unlikely that Jacob was ever in the Weird Mystery Cabin. It seems much more likely that the Man in Black (and I don’t mean Johnny Cash) has been using it the whole time.

So, all in all, the season premiere managed to answer a few — very few — nagging questions, while simultaneously introducing an entirely new can of worms for us to explore. That’s about what I expected. It seems to just kill these writers to actually answer a damn question. Still, I’m looking forward to this season, and having this mess tidied up and put away.

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Re: Lost

On January 25, 2010, in Reviews, by Marci Sischo

Yeah, I know, I’m behind the game on this one. All I can say is that I’m a dedicated Hype Contrarian. The more hype about how awesome something is I hear, the more likely I am to avoid that show, movie, or book like the plague. Jim finally convinced me to watch Lost, and since I’m stuck sitting around on my unemployed ass until someone hires me, I have the time to do so. And Lost, much like Heroes, is simultaneously awesome and aggravating as all hell, and for much the same reason. The characters, folks, they has the stupid.

I’ve seen up through, like, episode seven of the third season, so OMGNOSPOILERS, okay? Whereas, if you’re one of the other four people who haven’t seen Lost, yet, tread warily here, for I’m gonna spoil all over the place.

The single most aggravating thing about Lost is that the characters keep doing stupid, stupid things, because they insist on hauling around stupid, stupid baggage, and basing all their retarded decisions on their stupid, stupid baggage. By way of example: Jack, hero extraordinaire, brilliant spinal surgeon, with gigantic Daddy Issues. For some idiotic reason, the island survivors have appointed Jack Lead Monkey in their little circus, and I can’t imagine why. He’s stubborn, impulsive, irrational, and irresponsible, and frankly, not too bright. Of course, the only other real option for leadership appears to be Locke, the Great White Hunter/Shaman, who also has gigantic Daddy Issues, and is a raving zealot, to boot. There are other characters I’d feel more comfortable taking orders from, like Sayid, who at least appears to have a legitimate reason to have some damage, as he’s an Iraqi former Republican Guard who had to do some seriously wrong shit to people during the Gulf War. Hell, I think I’d rather take orders from Sawyer, at this point, despite that he’s got a wide streak of self-serving to deal with. At least you know what you’re getting from Sawyer.

I’ve told Jim repeatedly that what these people need is at least one good manager, retail or restaurant by preference, and a couple of good gamers. And I don’t mean video gamers, no disrespect. I’m talking the old fashioned, hard core, pen-and-paper gamers, who have had to exercise their tactician and conspiracy muscles on a regular basis for several years vs grossly powerful and conniving NPCs, preferably with backgrounds in Shadowrun, D&D, and Vampire. Toss some Deadlands in there, too, just for color. It won’t hurt. And as far as restaurant managers go, I’m talking about one of the rare few good ones who actually give a bit of a shit, and I’m nominating them, because they know how to work with limited resources, and with damaged people (occasionally seriously damaged), to achieve results.

I’ll forgive the survivors the first season, because it wasn’t immediately justifiably apparent that Weirdness was afoot, and everyone deserves a learning curve. But really, after the Lostzilla (hat tip, Cleolinda) made its first screamy, tree-uprooting appearance in the jungle and mauled the pilot, and they shot a fuckin’ polar bear on a tropical island, these folks should have had some clue that they’d slipped into the Twilight Zone.

The single biggest problem the survivors face is a lack of effective leadership. Not a one of them knows how to lead people. Giving them a grace period to realize that they are, indeed, royally fucked — right up until, say, they discover the pilot was a thousand miles off course and the black box wasn’t working, and to find Rousseau’s 16-year-old transmission — they really should have started organizing for a long-term stay about a week and a half after crashing. They should have polled the survivors for names and pertinent skill sets nearly immediately. (Srsly, I almost blew my top when I found out they’d been ignoring a science teacher for a whole season. I mean, damn, that’s a useful resource right there, wasted.)

Lots of things should have happened, that didn’t. The secret-keeping? That’s bullshit. They’d have gotten a lot farther along if the survivors had just shared information. With effective leadership in place, they wouldn’t have had to worry about people freaking out over some of the odder bits of information. Like, oh, Lostzilla, or the polar bears, or the Others. An effective leader knows how to keep moral up despite increasing amounts of Weirdness.

And talk about wasted resources — Hurley comes to mind. That guy is smart, and he has a working understanding of people. That alone is invaluable. Sawyer is another good example. Jack went out of his way to piss Sawyer off and cocktest with him at every available opportunity, when, with a bit of finesse, Sawyer could have been turned into another important resource, instead of alienated. The guy’s a con man, for one. That means he, too, has valuable knowledge of how people think. He’s shown signs of having some tactical skill, too. No, instead, we’ll piss him off and completely marginalize Hurley. Stupid.

So, I’m part way into season three, at this point, and we’ve just stumbled into the thorny mess that is the Others. Frankly, at this point in the series, none of these survivors have any vested interested in “listening to the island” or whatever hokey, vaguely supernatural, horseshit may be going on. At this point, they’ve pretty much been fucked on for two months, and they’ve been left with no other viable option except to employ that long-venerated tactic, the Monkey Wrench.

Full disclosure, I learned the value of this tactic by watching Jim at work in the Gaming Group. Basically, once the conspiracy/mystery level has exceeded your ability to penetrate, and the NPCs (in this case, the Others, and to a certain extent, PCs like John Locke and/or Eko), you are left with no other workable solution than to start fucking shit up at random until people either A) kill or incapacitate your ass, in which case, you will no longer care, or B) someone freaks out and starts coughing up answers in order to get you stop screwing up their plans. And folks, when you bring the Monkey Wrench, you have to bring it large. By way of example — purposefully allowing the Swan to blow up is a good Monkey Wrenching tactic. Killing Ben, Lead Monkey of the Others’ circus, is also a viable Monkey Wrench tactic. By preference, actually, you’d want to get Ben, his stone-cold blond partner, the fertility doctor, who’s name I can’t remember, and Tom, the guy with the fake beard. These are the three others with leadership skills, and by removing them, you throw Project Dharma into disarray, which gives you some breathing room. While they’re down and out, you can seize the second island, or somehow otherwise carpe the fuck out of that deim to leverage an advantage for the next crew the Dharma folks bring in.

Does the Monkey Wrench actually solve problems? No, not in and of itself. But what it does do is give you reactions to watch, and from there, you can begin to hypothesize further answers. Watching the NPCs scramble to recover will often lend you some clues to work with when it comes to solving the conspiracies and mysteries. Much like Sawyer picking the fight in the field to gain some insight into his opponents — sometimes in order to figure out what’s going on, you have to upset a few apple carts. I cannot say this strongly enough: the status quo is never your friend in these kinds of situations.

Oh, and that bit with the “pace-maker” planted in Sawyer’s chest? Really? Really, Sawyer? You fell for that? I am so disappointed in you. I told Jim right after they dumped Sawyer back in his cage, “First thing to do, jumping jacks. Find out if they’re for real, because wow, did that all trip my bullshitometer.” I mean — that was like the sloppiest piece of work I’ve seen so far, and Sawyer fell for it, hook, line, and sinker. Pffft. (Okay, granted, if you’re wrong, you’re dead, but then, if you’re dead, you don’t care anymore, and plus, you can’t be used against Kate at that point.)

Oh, and for the record, that island? Man-made is my theory. Possibly “alien-made”, but if they take it that route, I’m going to call “cop-out” and be really disappointed. Same thing if they go strictly supernatural with it.

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